contemporary painting

contemporary painting
art painting reproduction
fine art landscape painting
chinese landscape painting
There was, of course, central heating, but it wasnot apparent. As there had always been, in the big central lounge, there were twomagnificent coal fires; beside them big brass coal scuttles shone in the way they used toshine when Edwardian housemaids polished them, and they were filled with exactly the rightsized lumps of coal. There was a general appearance of rich red velvet and plushycosiness. The armchairs were not of this time and age. They were well above the level ofthe floor, so that rheumatic old ladies had not to struggle in an undignified manner inorder to get to their feet. The seats of the chairs did not, as in so many modernhigh-priced armchairs, stop halfway between the high and the knee, thereby inflictingagony on those suffering from arthritis and sciatica; and they were not all of a pattern.There were straight backs and reclining backs, different widths to accommodate the slenderand the obese. People of almost any dimension could find a comfortable chair at Bertram's.
oil painting
　　Since it was now the tea hour, the lounge hall wasfull. Not that the lounge hall was the only place where you could have tea. There was adrawing-room (chintz), a smoking-room, (by some hidden influence reserved for gentlemenonly) where vast chairs were of fine leather, two writing-rooms, where you could take