contemporary painting

contemporary painting
Robert Darzac opened his eyes, with a look that showed he had not understood a word of what Rouletabille had said to him. At that moment the conveyance arrived, driven by Frederic Larsan. Darzac and the gendarme entered it, Larsan remaining on the driver's seat. The prisoner was taken to Corbeilhat same evening Rouletabille and I left the Glandier. We were very glad to get away and there was nothing more to keep us there. I declared my intention to give up the whole matter. It had been too much for me. Rouletabille, with a friendly tap on my shoulder, confessed that he had nothing more to learn at the Glandier; he had learned there all it had to tell him. We reached Paris about eight o'clock, dined, and then, tired out, we separated, agreeing to meet the next morning at my rooms.
Rouletabille arrived next day at the hour agreed on. He was dressed in a suit of English tweed, with an ulster on his arm, and a valise in his hand. Evidently he had prepared himself for a journey.
"How long shall you be away?" I asked.
"A month or two," he said. "It all depends."
I asked him no more questions.